Both events are SOLD OUT. In the case of cancellations, these spaces will be made available on the Peatix event page.
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Date: Wednesday, 11 March 2015
Venue: NUS Museum
*Please bring some form of identification for entry.
Banned for nearly 30 years in Singapore, Peter Bogdanovich’s adaptation of Paul Theroux’s novel is the most notorious film (entirely) shot in the Lion City. Ben Gazzara is unforgettable as Jack Flowers, a moral pimp, scheming and dreaming across the slippery landscape of a rapidly changing 1970s Singapore. Jack’s the archetypal ‘old hand’ in exotic climes, and yet he’s a melancholy and generous figure – straddling local and expatriate milieu, authentically captured by Bogdanovich, a brilliant European crew, and a cast of mainly non-professionals discovered in Singapore. This screening is accompanied by a segment from the BBC TV series ‘Moving Pictures’, depicting the film being shot on location in 1978.
Date: Wednesday, 18 March 2015
Venue: NUS Museum
Rarely seen today (it’s not on DVD!), this big-budget adaptation of Noel Coward’s acidic Singapore-set short story was shot almost entirely in Singapore in early 1967. Despite a great deal of local excitement about teen megastar Hayley Mills and Bollywood king Shashi Kapoor making a film here, Pretty Polly was not successful, but it remains a fascinating depiction of Singapore as a hedonistic playground for swinging grown-ups, where Mills experiences romantic liberation. Trevor Howard is the long-term expat uncle (who works at a rubber plantation) with his younger Chinese lover, a cynical remnant of the end of empire.
About ‘Beyond Saint Jack’ - The strange cinematic visitors of Singapore and Malaya
Singapore/Malaya’s heyday of foreign production from the mid 1960s to the early 1980s led to a motley filmography of B-movies, commercial disasters, miscellaneous TV episodes, lost films and bizarre curios. While they resist canonisation, these films are a fascinating portal into how the region was perceived by the rest of the world both before and after the end of the colonial era; and the eagerness for Singapore and Malaysia to be represented and acknowledged by the West. A recurring motif of their narratives is the Western visitor in Singapore. This season of 10 films showcases the predecessors and descendants of Saint Jack (1979): old hands, good men, legal aliens, rugged individualists, ex-soldiers, detectives, has-beens and rock stars. Characters who have found themselves ensnared in traps beyond their control, stumbled across exotic, bewildering cultures, or entered zones of erotic possibility.
Beyond Saint Jack is guest-curated by author and critic Ben Slater, who will be present to introduce and discuss each film.
About Ben Slater
Ben Slater is the author of Kinda Hot: The Making of Saint Jack in Singapore (2006), a major contributor to World Film Locations: Singapore (2014) and the editor of 25: Histories and Memories of the Singapore International Film Festival (2014). He’s also the co-screenwriter of the feature film Camera (2014) and a Lecturer at the School of Art, Media and Design, Nanyang Technological University.
Find out more about the Malaya Black & White project: